Kurt Vonnegut, RIP

Edith Vonnegut detailThe excerpt below was posted by atrios this morning. It’s from Slaughterhouse Five, or the Children’s Crusade and is one of my favorites. The image is a detail from Edith Vonnegut’s (Kurt’s daughter) illustration for The Idea Killers. Full image.

Rosewater was on the next bed, reading, and Billy drew him into the conversation, asked him what he was reading this time.

So Rosewater told him. It was The Gospel from Outer Space, by Kilgore Trout. It was about a visitor from outer space, shaped very much like a Tralfamadorian, by the way. The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low.

But the Gospels actually taught this:

Before you kill somebody, make absolutely sure he isn’t well connected. So it goes.

The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again:

Oh boy – they sure picked the wrong guy to lynch that time!

And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes.

The visitor from outer space made a gift to Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels.

So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was.

And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections!

Billy’s fiancee had finished her Three Musketeers candy bar. Now she was eating a Milky Way.

“Forget books,” said Rosewater, throwing that particular book under his bed. “The hell with ’em.”

“That sounded like an interesting one,” said Valencia.

“Jesus-if Kilgore Trout could only write!” Rosewater exclaimed. He had a point: Kilgore Trout’s unpopularity was deserved. His prose was frightful. Only his ideas were good.

Update: Jon Stewart interviews Vonnegut on The Daily Show via Crooks and Liars.

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Scanning flowers

Update: Great post by Julie over at Human Flower Project. I’ve been practicing this technique with my monthly bloom day posts and some other fiddling around:

May post (cold) | May post (hot) | Violets | April post

This morning over at Cold Climate Gardening, Kathy posted about Katinka Matson’s scanned flower art. I first became aware of this technique in a New York Times artcle (abstract only unless you have TimesSelect) by uber garden writer Ken Druse back in April 2005. He profiled artist Ellen Hoverkamp’s technique of arranging flowers on the platen of a flatbed scanner, with the resulting prints looking like old-timey pressed-flower arrangements, only with vibrant colors and 3-D effects.

my first scanBefore I even finished reading the article, I ran over to my office windowsill, snapped off whatever was flowering (violets, geraniums, fuschias), tossed them on the scanner, threw my jacket over the top, and hit scan. That’s the image there on the right. Larger image.

That doesn’t really do the technique justice. It’s just to prove that this is one of those techniques that takes a minute to learn — and a lifetime to master. In addition to Matson’s site (check out her gallery), Hoverkamp’s site offers gorgeous examples. And I stumbled across another floral scanner artist, Patri Feher.

I thank Kathy for reminding me about this technique. Maybe I’ll get into it again this year. When I do, here’s the how-to site that I’ll digest and put to good use. But in all honesty, the biggest barrier (beyond time) is that I really have a hard time cutting my best flowers off at the knees, even if they’ll be immortalized in art.

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Equal time for Frida

When looking at Diego Rivera paintings yesterday, it was inevitable that I’d get drawn in to Frida Kahlo’s.  She’s a little more surrealistic — and darker — in her use of flowers and foliage, roots and branches.

Kahlo painting

Even the flowers in her hair are less than joyful.  And the thorns.  The pain must have been unbearable.  Jah have mercy.  Thankfully, she could paint.

frida kahlo portrait

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